here is something that will really assist you once you grasp it. it looks a lot better in color...but this is an ascii medium...:-) ---------------------------------snip and save------------------------------- Chord Subsitution Examples (770) 979-7958 date: 930128 michael_rhine@mindspring.com fret ___________ | | | | | | once the concept is mastered, 1 |.|.|.|.|.| options increase by 276 chords. | | | | | | (6x4x11) |.|.|.1.|.| | | | | | | 3 |.1.|.|.|.1 | | | | 1 | concept: |.|.|.|.2.| F9, Am7-5, Cm6, A 1/2dim | | | | | | are really one chord that 5 2.|.2.2.|.| has different uses/names. | | | | | | |.|.|.|.|.| listed here are 6 common | | | | | | voicings. 7 |.|.3.|.|.| | | | | | | |.|.|.3.3.3 | | | | | | 9 |.|.|.|.|.| | | 4 | 4 | |.|.5.|.5.| | | | | | 5 11 4.|.|.|.|.| | | | 4 | | | | | 5 | | 12 |.6.|.6.|.| | | | | | | 13 |.|.6.|.6.| Well, say your comping on A7...substitute one of the six variations. Remember when comping, depending on the style of music, you *can* substitute 9th chords for added color. So for this A7 example (keeping it as simple as possible I hope) I would rearrange this to: fret ___________ | | | | | | 1 |.|.|.|.|.| | | 4 | 4 | 2 |.|.5.|.5.| | | | | | 5 3 4.|.|.|.|.| | | | 4 | | | | | 5 | | 4 |.6.|.6.|.| | | | | | | 5 |.|.6.|.6.| | | | | | | 6 |.|.|.1.|.| | | | | | | 7 |.1.|.|.|.1 | | | | 1 | 8 |.|.|.|.2.| | | | | | | 9 2.|.2.2.|.| | | | | | | 10 |.|.|.|.|.| | | | | | | 11 |.|.3.|.|.| | | | | | | 12 |.|.|.3.3.3